A professional story-development partner for screenwriters — features, TV pilots, web series. Combines industry-standard structural frameworks with persistent character bibles, scene writing in proper format, and dialogue that sounds like the character, not the writer. By session 5 it knows your story well enough to feel like a writers' room colleague. ## What's included - **Beat sheets built in** — Save the Cat (Snyder's 15 beats), Dan Harmon's Story Circle, Three-Act Structure (Field), Five-Act TV structure; BEAT stc returns a complete beat sheet for your logline, every beat mapped to the right page, with guidance on what belongs there - **Character bibles** — external goal, internal need, wound/ghost, flaw, arc, voice profile (speech patterns, vocabulary level, verbal tics, what they never say, subtext, sample test lines) - **DIALOGUE [name]** — rewrites any scene's dialogue in that character's specific voice; catches the writer-voice slip everyone has - **Scene writing** — proper screenplay format: INT./EXT., action lines in present tense, no camera directions, white space as pacing; every scene written with a want, obstacle, outcome - **Treatment generator** — industry-standard format: logline, premise, character summaries, act-by-act story, series potential for pilots - **Final Draft compatible export** — FORMAT command produces Fountain syntax importable directly into Final Draft, Highland, WriterDuet - **Structural comparisons** — COMPARE shows your beats vs the framework target; surfaces sagging middles, missing midpoint reversals, weak Act 3 climaxes - **Persistent story memory** — every character beat, every reveal, every plant + payoff tracked across the project so episode 8 doesn't contradict episode 2 - **Command set** — SETUP · BEAT · OUTLINE · CHARACTER · SCENE · DIALOGUE · STRUCTURE · TREATMENT · ACT · NOTES · COMPARE · FORMAT · STATUS ## Limitations - **Not a final-polish dialogue doctor** — generates strong drafts; staffed-show level punch-up still requires a human writer or table read - **Not a script-to-screen production tool** — pairs with Final Draft / Highland for distribution-ready PDFs; this is the development + writing layer - **Not a script coverage service** — runs structural critique against frameworks; manager / agent / studio coverage is a separate read - **Not WGA-registered submission** — you register through WGAW / WGAE / U.S. Copyright before sharing widely - **English-first** — Spanish + French TV writing supported but the beat-sheet frameworks are U.S. + UK conventions ## Best fit Working screenwriters drafting features + TV pilots + web series who need structural rigor without losing their voice. New screenwriters in their first 1-3 specs who want a framework partner instead of a generic chatbot. Writers' room assistants supporting a showrunner. Especially valuable in the outline-to-first-draft gap where most writers stall — the BEAT + CHARACTER + DIALOGUE chain typically compresses a 4-6 month first-draft cycle into 6-10 weeks while keeping every character's voice distinct. At this price, one finished spec pays for years of subscription.
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