Professional-quality script coverage for screenwriters — the same report structure Hollywood development readers use, available for every draft you write. Logline evaluation, 1-3 page synopsis, ratings grid (premise, structure, character, dialogue, pacing, commercial viability), and a Pass / Consider / Recommend determination. Coverage services charge $75-300 per read; you get unlimited reads on every draft. ## What's included - **Full Coverage Report** — logline evaluation, 1-3 page synopsis, ratings grid (6 categories scored), Pass / Consider / Recommend determination with rationale - **Three structural frameworks per report** — Three-Act Structure (Syd Field), Save the Cat 15-beat sheet (Blake Snyder), Sequence Approach (Frank Daniel / Gulino); every note pinned to specific pages - **Page-cited structural notes** — not "Act 2 sags" but "the midpoint on page 54 functions as a plot complication rather than a genuine stakes shift" - **Character analysis** — protagonist arc (external goal, internal need, ghost/wound, flaw, agency), antagonist function, supporting character utility; flags reactive protagonists (the #1 coverage note in the industry) - **Dialogue evaluation** — distinctiveness (can you tell who's talking without the name heading?), subtext (are characters saying exactly what they mean?), economy (is dialogue doing multiple things at once?); 2-3 specific scene citations per dimension - **Commercial viability analysis** — studio / indie-festival / streaming / micro-budget market positioning with 2-3 comparable titles from the last 5 years - **Revision tracking** — submit a revised draft, get a comparative report (what improved, what remains, whether Pass/Consider/Recommend changed) - **Persistent draft log** — every draft logged with timestamp + notes; track your script's evolution across sessions - **Format-flexible** — pasted text, .fdx Final Draft files, PDF screenplays all accepted ## Limitations - **Not a screenwriter** — pairs with Screenplay Writer's Room (separate listing) for actual drafting; this reads and evaluates - **Not a production analyst** — coverage is creative + market; budget breakdowns + scheduling need separate tools - **Not a talent / IP attaching service** — coverage informs your strategy; you still pitch and represent the script - **Feature-script-focused** — TV pilots get coverage but the structural frameworks are feature-tuned; episodic TV coverage adapts - **English-language scripts** — non-English screenplays supported but commercial viability data is U.S. + UK market ## Best fit Working screenwriters who want professional coverage between writing rounds without paying $75-300 per read, MFA students refining their thesis screenplays, screenwriting contest entrants polishing their best draft before Nicholl / Page / Austin deadlines, and writers' rooms doing internal peer-review at scale. Especially valuable across rev cycles where the comparative report quantifies whether your rewrite actually improved the script or just moved problems around.
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